David Dunn, author of Why do Whales and Children Sing? will collaborate with iSAW on a series of sound - based tools to illustrate concepts of science in the classroom. He will conduct a microphone building workshop titled micro - listening for artists, musicians, biologists and sound enthusiasts, as well as lecture and discuss ideas regarding symbiotic collaborations between artists and scientists. David Dunn is president of Art and Science Laboratory in Santa Fe, NM; he has been praised enthusiastically for his recordings, live compositions, and intelligent commentary, and is the recipient of the 2007 Henry Cowell Music Award.

listening at the edges: the necessity for double description
as part of the understanding sound lecture series
in partnership with carnival center for the performing arts
for over three decades there has been an ongoing discourse that has addressed the role that the sonic arts can play in increasing our collective awareness to environmental issues through sensitizing us [...]

miami sound and media design artist rene barge has received isaw’s 2007-08 creative fellowship which provides him with one year of access to our [i] sound studio for developing new work. his fellowship work can be heard at www.quietmatter.com and fron-d.com

Residency: Micro-Listening
DAVID DUNN, composer

walrus under water, recording: david dunn, audio format: mp3
DAVID DUNN, author of Why Do Whales and Children Sing? will collaborate with iSAW on a series of sound - based tools to illustrate concepts of science in the classroom. He will conduct a microphone building workshop titled Micro Listening for artists, musicians, biologists [...]

Shawn Vendryes was isaw’s intern in the winter/spring semester of 2007. This allowed him to become intimately involved in the production of the 19th Subtropics Experimental Festival of Music and Sound Art (see subtropics 19: www.subtropics.org)
“After leaving Isaw I moved up north to teach at Brown Mackie College. Where I started to develop a relationship [...]

09/21/90
Opus Art Studios
InterMIX I Installations Festival
collaborations between composers and visual artists
third two weeks: 9/21/90 - 9/30/90
Ferrocarril*
Fred Snitzer, artist; Gustavo Matamoros, composer
intermedia installation
statistics: 1 world premiere, 2 florida composers, 1 hispanic composers

09/14/90
Opus Art Studios
InterMIX I Installations Festival
collaborations between composers and visual artists
second two weeks: 9/14/90 - 9/21/90
Terra Incognita*
Kate Rawlinson, artist
Armando Rodriguez, composer
intermedia installation
statistics: 1 world premiere, 2 florida composers, 1 woman composer, 1 hispanic composers

08/31/90
Opus Art Studios
InterMIX I Installations Festival
collaborations between composers and visual artists
first two weeks: 8/31/90 - 9/14/90
Soundscapes on a Grand Scale*
Rafael Salazar, artist
Orlando Garcia, composer
intermedia installation
statistics: 1 world premieres, 2 composers, 2 hispanic composers

08/30/90
Florida Int’l Univ. Auditorium
Music by Spanish Composers
Guest Artist: Flores Chaviano, guitar
Tres Toques *, Francisco Cuenca (SPN)
Blues Gitano**, Jose Maria Garcia Laborda (SPN)
Galvanismes 2 Ph**, Francisco Otero (SPN)
Tems de 1873**, Javier Darias (SPN)
Temples**, Jesus Villa Rojo (SPN)
Paisaje Grana**, Tomás Marco (SPN)
Algo Para Guitarra**, Carlos Cruz de Castro (SPN)
Homenaje A [...]

04/22/90
Manuel Artime Theater
Subtrpics 2
Four World Premieres
Guest Artist: Joseph Celli, reeds
Improvisations With Metallic Materials* for WX-7 & tape, Orlando. J. Garcia
Mukhanization, Joseph Celli
Portrait: Joseph Celli*, Gustavo Matamoros
Improvisation for English horn without reeds, Joseph Celli
Multicelli* for reeds & 4 channel tape, Eleanor Hovda
Untitled At This Time*, Joseph Celli
statistics: 4 world premieres, 3 florida [...]